Japan at Night, shot and graded by Jayden on the Sony A7IV. Left of the line is his camera original of the same frame. See the film
Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden. See the film
Japan at Night, shot and graded by Jayden on the Sony A7IV. Left of the line is his camera original of the same frame. See the film
Wedding, shot by Jayden on the Sony A7IV in S-Log3. Graded with a Phantom Neutral LUT and a light contrast and saturation lift. See the film
Japan at Night, shot and graded by Jayden on the Sony A7IV. Left of the line is his camera original of the same frame. See the film
Sunflower fields, shot by Jayden on the Sony A7IV in S-Log3 at 60p and played at half speed. Graded with a Phantom Neutral LUT and a light contrast and saturation lift.
Japan at Night, shot and graded by Jayden on the Sony A7IV. Left of the line is his camera original of the same frame. See the film
New York, 2025. Shot by Jayden on the Sony A7IV and graded by him; left of the line is his camera original of the same frame.
Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden. See the film
Japan at Night, shot and graded by Jayden on the Sony A7IV. Left of the line is his camera original of the same frame. See the film
Japan at Night, shot and graded by Jayden on the Sony A7IV. Left of the line is his camera original of the same frame. See the film
Sunflower fields, shot by Jayden on the Sony A7IV in S-Log3 at 60p and played at half speed. Graded with a Phantom Neutral LUT and a light contrast and saturation lift.
New York, 2025. Shot by Jayden on the Sony A7IV and graded by him; left of the line is his camera original of the same frame.
Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden. See the film
Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden. See the film