This is a spec piece, not an Apple job. The footage was supplied as part of the #TMSEdit2023 edit challenge; the brief was simple — make it feel like a finished Apple Watch Ultra spot — and the deadline was two days.
The cut
The edit builds in three movements: water, land and altitude. Each one lands on a product beat — the watch on a wrist in the surf, on a rock beside a waterfall, lit by a headlamp on a summit — so the spot keeps returning to the object without ever pausing for it. Single-word kinetic titles (“built”, “36 hours battery”, “100 metres”) sit inside the action rather than on top of it.
The grade
The supplied clips arrived flat. The grade gives each sequence its own palette (hot orange on the product, deep teal under water, cool dusk on the road) while keeping skin tones natural. Drag across the clips below to compare.
Jayden’s contribution
Selection, structure and pacing; the colour grade; the title animation; sound design and mix; and the final delivery. The footage itself was supplied for the challenge and is not Jayden’s cinematography. The piece also runs as the opening loop on this site’s home page.
Colour grade
Drag the line across the frame to see it before and after the grade.




Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden.
Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden.
Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden.
Apple Watch Ultra spec edit. Footage supplied for the #TMSEdit2023 edit challenge; edit and colour grade by Jayden.
Frames
